Actor * Voice Actor * Presenter *Equity Member * Spotlight * Trainer * Roleplayer

Critics say

As Abbess Aemilia in The Comedy Of Errors

‘Philippa Hammond … gravitas, vocal clarity and projection … superbly-voiced … finds all eyes on her when she requires it.’ Fringe Review

As Hypatia of Alexandria and the Edwardian Lady in Glimpse: Part One

An Honorary Man & Turning the Handle

‘ **** Hammond is served well by two three-dimensional, literate and dramatic scripts written by Thomas Everchild and she displays brilliant talent in interpreting them for us. It is spellbinding and entertaining, heart rending and humorous. An hour was all too short.’ The Scotsman

As Marcia Blouse and the Actress in Glimpse: Part Two

Little Girls Like To Kiss & Backstage Whispers

‘ **** This brings out Hammond’s best – understated and impressively controlled … Hammond excels … ‘ The Scotsman

As Cat the Director in Protect and Survive

‘A perfectly-cast, cast-ingot actor, managing actor panic, sponsorship crises and sexual intrigue … a high-point of naturalistic dialogue and wit’ Fringe Review

As the lead role in Fanny Hill

‘Philippa Hammond is instantly likeable as the much-sought-after Fanny, and brings an unexpected grace and vulnerability to the character’ Edinburgh Evening News

As the Farmer in Protect & Survive: Day Zero + 120

‘Fantastic performance as the Farmer’ Simon Moorhead [director]

‘Wonderful burr and her variety of pacing and delivery is a delight’ Simon Jenner [author]

As Mary Wollstonecraft in Last Supper

‘Mary Wollstonecraft played by Philippa Hammond … sharp humour and wit and joy …’ Fringe Review

As Quetza in The World That Shouldn’t Be

‘ … you sound SO SO bad ass. You’re defo our scariest character to date, you’re scarier than the daleks! … ‘ Invokal [director]